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The subject matter in a lecture format
can cover areas such as; folklore, Minstrel Shows,
slavery, Medicine Shows, Ragtime, Gay Nineties,
Vaudeville, burlesque, Jazz, Blues, Swing, and the
development of music in influential districts from New
Orleans to Chicago.
When performing in Canada, Douglas outlines the
considerable Canadian contribution to Jazz and show
business in general.
Douglas shares entertaining commentaries and punctuates
them with musical examples: many of them recognizable,
all of them fun. This is an ideal performance for
history buffs, music lovers, educators, convention
audiences, and students (University to high school).
Douglas and his unique lecture performance is
enthusiastically enjoyed. |
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Lecture-Performance OR straight out Entertainment. These
are your choices when acquiring Professor Douglas
Fraser.
His solo performance has the magnitude to command a
large stage or provide an intimate presentation. He is a
storyteller, conveying fascinating anecdotes and little
known information about the subject that is his
specialty; the developing musical period in North
America from 1830 to 1930. The amount of information
conveyed, the depth and detail, educational or strictly
entertaining, depend on the time allotted and the
desires of the house.
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Douglas Fraser is a showman, musicologist, vocalist and
performer on tenor banjo and tenor guitar. He hails from
three generations of professional entertainers and has
been on stage since the age of three. Douglas’s father
was a Ringling Brothers Circus star performer,
vaudevillian with partner Amos Jacobs (Later to be Danny
Thomas), a stand-up comic, and matinee crooner. His
Mother performed on the Shubert Circuit in vaudeville
and his grandmother toured with Buffalo Bill’s Wild West
Show.
For Douglas, music is a way of life. He has played jazz
in concert coast to coast. He has been on many
television shows, movies and radio shows throughout the
years. Douglas was the band leader at Gastown’s “Banjo
Palace” in Vancouver, British Columbia for two years
with a four to seven piece Dixieland / ragtime band. He
wrote, produced and directed the theatrical comedy
production, The Heartaches Razz Band in which, as band
leader, he sang, played banjo, tap danced (he was
hilarious) and did a comedy magic routine. This show
toured internationally for ten years playing concerts,
clubs and the Canadian university circuit, ultimately
performing a total of thirty one times at The Troubadour
in Hollywood and at Pasadena’s Ice House Comedy Club.
Douglas has toured with Blood, Sweat and Tears, Brian
Adams, Boz Scaggs, the Knack and George Carlin ( to name
a few ). Doug played fifteen hundred and fifty –four
shows at California’s Knott’s Berry Farm, he also played
in Disneyland in Anaheim, California and some thirty
shows at Magic Mountain in Valencia, California.
Previous manager, Isy Walters, kept him working as an
opening act for such greats as Buddy Rich, Earl Hines,
Les Brown and his band of Renown, Stan Getz and Eubie
Blake. Advice from Hezzie, band leader of the Hoozier
Hot Shots and performing with Mousie Garner from Spike
Jones & the City Slickers, and who was one of the
original Three Stooges, helped hone Douglas’s natural
comic instincts. Prof. Fraser has also spent several
years as a stand up comic and as a folk singer.
In the 2003 season Douglas was the artistic director and manager of the
Burr Theatre in New Westminster, B.C. where he wrote,
produced, directed and performed in three productions.
Today when not leading The Genuine Jug Band his solo
performance thrills and intrigues audiences in night
clubs, conventions, concerts and theatres.
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In a night club, concert or festival performance
the song structure celebrates 1920s and 30s Jazz
and Delta Blues with an occasional nugget from the 1890s
or a Ragtime treat. The audience will enjoy tunes such
as "Hello Ma Baby", "Sweet Georgia Brown", "The Sunny
Side of the Street", and "Dream a Little Dream".
The songs that he performs are played on banjo and tenor
guitar. His voice is said to be reminiscent of the
vintage sound coming from a Blue Wax Edison Cylinder.
His playing and presentation is authentic to the time
period. His style and swagger denote the eccentric
characterization that makes an audience feel that they
have been blessed with a glimpse of the past. |
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click to view some videos of the music. |
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